Showing posts with label murder. Show all posts
Showing posts with label murder. Show all posts

Tuesday, November 26, 2013

Ketchup Clouds, by Annabel Pritcher: In which love triangles are proven bad buisness


Ketchup Clouds
Annabel Pritcher
Little Brown: New York, 2013.
ISBN: 9780316246767

Zoe has a secret that she's only able to share with her pen pal, Mr. Stuart Harris, a death row prisoner in a Texas prisoner.  He's the only one that she feels can understand, and time is running out to share her story with him.  She's drowning under the weight of her guilt, and writing to him in the dead of the night in her parents garden shed is the only thing that helps her keep treading water.  She fell for one brother, won the heart of two, betrayed them both, and killed one.  Her family is struggling with their own load of guilt, in-fighting, and bitterness, and fraying at the edges.  This epistolary tale is initially bleak, yet it is gripping and hopeful.  The emotions are real, as are the problems.  Though sometimes our protagonist can come across as a little self involved, it is recommended and will be an easy sell with girls ages 13-16.  

Despite the hugely depressing premise, and my natural inclination to be like, "Okay, teenage drama queen, you unreliable protagonist you - let's not blow this confession out of proportion, but DUH. Love triangles are never a good idea," I grew to really enjoy reading this book.  Sure, Zoe totally meets this description.  But there's enough redemption and understanding that builds through the story to understand why she feels terribly responsible.  Any sophisticated reader will figure this one out, but it's not so much the story as the exploration of how things can go so wrong and how we can find redemption and forgiveness that makes me want to recommend this title.  I'd say go for it, even though Zoe is kind of thoughtlessly cruel to Mr. Harris with her blunt statements like:
"I'm less brave than you, so don't feel too bad when you go for the lethal injection, which I wouldn't worry about, because when my dog was put to sleep it really was peaceful" (5)
Or this one, which I'm having a lot of trouble swallowing, to be honest:
"All I can hope is that I'm wrong about Death Row and there's a friendly inmate in the cell next to yours.  I'm crossing my fingers that he's a chatty rapist who knows a few jokes as well." (57)

Maybe it's gallows humor...but it's a little tasteless, especially that second line.  It does prove a point later though, when Zoe become more attached to and supportive of Mr. Harris, increasingly familiar (addressing him as Stu), voicing her dismay over his imminent expiration date, etc.  
There are other redeeming qualities, like Dot, who is Zoe's deaf 5 year-old sister. It's kind of great to both acknowledge the difficulties therein, but to show that Dot is totally healthy, happy, delightful, and thriving. I also loved the descriptions of a culture similar to but different from American culture; Guy Fawkes day you guys! If you can stomach my earlier quibbles about Zoe's initial callousness and are okay with the appearance of teenage drinking (remember, this is an English import, and it's a slightly more socially acceptable behavior with our colonial masters), check this one out.  
If you've read this and are in need of a warming hug, and/or a book club recipe, I did some cooking inspired by the title/cover art, which I'm calling Cloud Soup, but which is actually probably better dubbed Roasted Cauliflower and Eggplant Soup. It's making miso hungry (recipe joke, self low five).


Roasted Cauliflower and Eggplant Soup
aka Cloup Soup for Ketchup Clouds


Wednesday, June 19, 2013

Gone Girl, by Gillian Flynn: Sometimes books for grown ups happen, even to the best of us

Gone Girl
Gillian Flynn

Crown: New York, 2012
ISBN: 978-0297859383


By all accounts, Amy and Nick Dunn are the perfect couple, from looks on down to their marriage.  When the recession leaves both of them unemployed, they move from New York to Nick's suburban Missouri hometown to care for his terminally ill mother.  Using the remainder of Amy's trust fund, Nick opens a bar and they settle into a life very different from their urban one, until Amy disappears with signs of a struggle on the fifth anniversary.  Nick and the police are left bewildered, with few leads.  All is not as it seems in this contemporary noir though things are starting to point to Nick.  Told in alternating chapters between Amy's diary recalling their past, and Nick's narrative voice in the present, this novel is suspenseful and engaging.  It is easy to see why this became such a bestseller, and it is recommended for adults and mature teens aged 16 and up, for sexuality and violence (and sheer plot complexity).  

Friday, July 1, 2011

Jasper Jones, by Craig Silvey: Australian YA for the win, rave #4320

by Craig Silvey
New York: Alfred A. Knopf
ISBN: 978-0-375-866661

Thirteen-year-old Charlie Bucktin is sick of his small Australian town and looking forward to spend his summer writing and hanging out with his best friend. However, the moment he awakens from a midnight knock on his window and opens it to find the local teenage pariah Jasper Jones seeking his help, his plans and life derail. Charlie, not wanting to seem immature, agrees and climbs of out the window into the night.  In doing so, he becomes privy to Jasper's horrible discovery: a body hanging from a giant hollow eucalyptis in the isolated grove that Jasper hides in when his alcoholic father gets to be too much.  To protect Jasper from taking the blame for a crime he did not commit, the boys hide the body, vowing to find the killer on their own.  Holding onto this unspeakable knowledge, Charlie is catapulted too soon into adulthood in a town filled with fear, racism, and finger pointing, experiencing first love and the agony of both keeping secret this terrible and unraveling a few more in the process.  This timeless coming of age tale is haunting, and charged with emotion, humor, and the unbearable sadness of growing up and away your own childhood.  Skillfully written, this novel often operates from very nostalgic, almost adult voice, and is strongly recommended to teens grades 9-12 who will best understand this way of thinking. 

Book Talk Hook:  Summarize the sitch.  Then ask what they would do.  If you have AV capabilities (are we still calling it that?), show the below book trailer to do the dirty for you. 

Okay, peoples.  Maybe it is the fear of imminent death due to everything being poisonous that prompts Aussie authors of YA to write like every book is their last, best, book.  Maybe there is something in the Australian water.  I like the first explanation best.  Irregardless.  I know I rave about it a bit, but the YA coming out of Australia is just so. so. good. you. guys.   Jasper Jones, by Craig Silvey is no exception to this rule.   But enough with my Aussieloveparade.  I also think that the book trailer for this movie is one of the best, if not the best I've ever seen:


This book.  Is seriously fantastic.  After moping my way through Monsters of Men being horribly overlooked for American awards this past year, I don't know if I'll be able to contain my rage if this one doesn't get any nods stateside.  Seriously.  Let me tell you all the reasons I scribbled down illedgibly on a post-it while reading it to remember exactly what captivated me about it:  

Wednesday, April 20, 2011

Lost in Translation: The Invisible, by Mats Wahl

The Invisible
by Mats Wahl
New York: Farrar, Straus and Giroux, 2007.
ISBN: 0-374-33609-1


     A Swedish Law and Order without the Law part of the show, the point of this book may be lost in a cultural shuffle.  A case of a violent crime leaves a teenage boy missing with no trace and a detective weeding through the thinly veiled racism and anti-immigrant sentiment in the town to find him.  But the detective is not alone; in a plot device surely lost in translation, the boy is an invisible party following, almost haunting the unwitting detective, but ultimately more haunted by what has happened to him and his invisibility.  The narrative is very matter of fact, the description is stark, the ending frankly a little cheesy, and though some of the characters are developed more may be archetypes.  The book does hold a certain charm for mystery and crime lovers, or fans of Swedish writing, and has even been made into a movie.  It is recommended for libraries with large collections that contain the movie.

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